Dawn Liu
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Dawn is a multi-disciplinary designer and illustrator based in Naarm (Melbourne, AU).
Her specialties in design span from identity design, publication and editorial design, animation, website design, illustration,
design writing and research.
Currently designing at Studio White Noise.
Poster for Melbourne Queer Film Festival (2024). Designed with Studio White Noise.
Program for Melbourne Queer Film Festival (2024). Designed with Studio White Noise.
Lettering exercise (2024).
Visual identity for Errare (2024).
Visual identity for Soapbox (2022).
Visual identity for Soapbox (2022).
Visual identity for a hypothetical rebrand of Parco Museum, Tōkyo (2020)

Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).

Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).

Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).

Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).

Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).
Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).
Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).

Visual identity and exhibition deisgn for "Leave your shoes at the door | 把鞋子留在門口" (2023). Exhibited at Sepium Gallery, Naarm (Melbourne).

"Do Asians Dream of Electric Sheep?" (2022).

"Do Asians Dream of Electric Sheep?" (2022).
Visual identity for Repia (2022).

"Remember her last kiss ...?" (2022). 64pp, saddle-stitch bound, 118mmx210mm.

"Remember her last kiss ...?" (2022). 64pp, saddle-stitch bound, 118mmx210mm.

"Remember her last kiss ...?" (2022). 64pp, saddle-stitch bound, 118mmx210mm.

"Learning, Unlearning, Relearning: The Rhetoric of Typography" (2021). 206pp, perfect bound, 170mmx240mm.

"Learning, Unlearning, Relearning: The Rhetoric of Typography" (2021). 206pp, perfect bound, 170mmx240mm.

"Learning, Unlearning, Relearning: The Rhetoric of Typography" (2021). 206pp, perfect bound, 170mmx240mm.